Halloween Rock: 40 Tracks to Raise the Dead
From Black Sabbath's occult thunder to Ghost's theatrical menace, this is the definitive Halloween hard rock playlist for adults who like their parties loud.
Track List
| # | Title | Artist | Year | Listen |
|---|---|---|---|---|
| 1 | Season of the Witch | Donovan | 1966 | — |
| 2 | Paint It Black | The Rolling Stones | 1966 | — |
| 3 | People Are Strange | The Doors | 1967 | — |
| 4 | Sympathy for the Devil | The Rolling Stones | 1968 | — |
| 5 | Black Sabbath | Black Sabbath | 1970 | — |
| 6 | Iron Man | Black Sabbath | 1970 | — |
| 7 | Superstition | Stevie Wonder | 1972 | — |
| 8 | Welcome to My Nightmare | Alice Cooper | 1975 | — |
| 9 | Don't Fear the Reaper | Blue Oyster Cult | 1976 | — |
| 10 | Psycho Killer | Talking Heads | 1977 | — |
| 11 | Werewolves of London | Warren Zevon | 1978 | — |
| 12 | Bela Lugosi's Dead | Bauhaus | 1979 | — |
| 13 | Hells Bells | AC/DC | 1980 | — |
| 14 | Thriller | Michael Jackson | 1982 | — |
| 15 | Bark at the Moon | Ozzy Osbourne | 1983 | — |
| 16 | Somebody's Watching Me | Rockwell | 1984 | — |
| 17 | The Killing Moon | Echo & the Bunnymen | 1984 | — |
| 18 | Dead Man's Party | Oingo Boingo | 1985 | — |
| 19 | Pet Sematary | Ramones | 1989 | — |
| 20 | Feed My Frankenstein | Alice Cooper | 1991 | — |
| 21 | Zombie | The Cranberries | 1994 | — |
| 22 | Closer | Nine Inch Nails | 1994 | — |
| 23 | Burn | The Cure | 1994 | — |
| 24 | Dragula | Rob Zombie | 1998 | — |
| 25 | Living Dead Girl | Rob Zombie | 1998 | — |
| 26 | Du Hast | Rammstein | 1997 | — |
| 27 | The Beautiful People | Marilyn Manson | 1996 | — |
| 28 | Bloodletting (The Vampire Song) | Concrete Blonde | 1990 | — |
| 29 | Spookshow Baby | Rob Zombie | 2003 | — |
| 30 | Bodies | Drowning Pool | 2001 | — |
| 31 | Monster Mash | Bobby 'Boris' Pickett | 1962 | — |
| 32 | Heads Will Roll | Yeah Yeah Yeahs | 2009 | — |
| 33 | Nightmare | Avenged Sevenfold | 2010 | — |
| 34 | Square Hammer | Ghost | 2016 | — |
| 35 | Dance Macabre | Ghost | 2018 | — |
| 36 | Bury a Friend | Billie Eilish | 2019 | — |
| 37 | Cirice | Ghost | 2015 | — |
| 38 | This Is the End (For You My Friend) | Anti-Flag | 2006 | — |
| 39 | Supernaut | Black Sabbath | 1972 | — |
| 40 | Hallowed Be Thy Name | Iron Maiden | 1982 | — |
This playlist exists for one reason: to fill a room with the kind of energy that makes people forget they are wearing uncomfortable costumes. Forty tracks, six decades of dark rock, and not a single novelty song (except Monster Mash, which earned its spot through sheer cultural gravity).
How to Use This Playlist
For a house party, start with the mid-tempo tracks from the ’60s and ’70s. Donovan, the Stones, and the Doors work well as guests arrive and settle in. Once the room fills up, let Black Sabbath and AC/DC take over. Save Ghost and Rob Zombie for the peak hours when nobody is pretending to be civilized anymore.
For a haunted house walkthrough, pull the slower, more atmospheric cuts. Bela Lugosi’s Dead, The Killing Moon, and Closer create genuine unease. Layer them between the heavier tracks to give your victims a false sense of calm before Dragula hits.
For pumpkin carving, honestly, just hit shuffle. The whole list works.
Why These Tracks
We built this around a simple rule: every song had to carry darkness in its DNA, not just in its lyrics. Stevie Wonder’s Superstition sits next to Black Sabbath because both songs feel haunted, even if they come from completely different traditions. Thriller made the cut because it is functionally impossible to throw a Halloween party without it, and anyone who disagrees is wrong.
Ghost gets three tracks because no band alive understands Halloween theatrics better. Square Hammer is the best rock song of the 2010s that most people haven’t heard yet. Play it once at your party and watch the room lock in.
Notable Omissions
We left out Ghostbusters (it’s on the pop and oldies playlists) and most pure metal that crosses into unlistenable-at-a-party territory. If your guests want Cannibal Corpse, they can make their own playlist. We also skipped most industrial beyond NIN and Rammstein, because at a certain point you are just punishing your neighbors.